MixPilot

From your iPhone · Inside your BandLab

MixPilot mixes your song.An engineer you trust provides the taste.

Two ways in. Tap an engineer's branch link and MixPilot mixes your song the way they would, personalised to what's actually in it. Or just text MixPilot and tell it to mix your song from scratch. Either way it works inside your BandLab while you talk to it from your iPhone. Free until you subscribe to an engineer.

Free to start. You pay only when you subscribe to an engineer, from $5 a month. BandLab today. Sign up with your number

Night Drive — Juice WRLD-style vocal · mixing in your BandLab4 changes · undo ready
  1. Opened your BandLab project

    Night Drive. Lead vocal on track 2, ad-libs on 3 and 4.

  2. Read the mixer

    Vocal peaking −3.1 dBFS, thin in the low mids. Nova's thin-vocal rule applies.

  3. Applied Nova's Juice WRLD-style vocal mix

    High-pass 90 Hz, warmth at 200 Hz, her plate at 30%, slap delay, ad-libs darker and wider.

  4. Texting you the picture

    Before and after, then "more", "less" or "undo" whenever you want.

Just talk to it

You text from your iPhone. It works inside your BandLab.

A user mixing with an engineer's branchOn their iPhone, getting Nova's Juice WRLD-style vocal mix on their own BandLab song

MixPilot

  • Sent: hi MixPilot
  • Received: Hi! I'm MixPilot, an AI. Pick an engineer you trust and I mix your song in your BandLab the way they would, from right here. What sound are you after?
  • Sent: A Juice WRLD style vocal on my song Night Drive
  • Nova's Juice WRLD-style vocal mix · 6 steps · Worked for 41 peopleText YES NV4K2A to mix with it
  • Sent: YES NV4K2A
  • Received: Got it. How far should I go on Night Drive: a little or a lot?
  • Sent: A lot
  • Received: First time only: log in to BandLab yourself through this secure link. I never see your password, and I carry on the moment you're in.
  • Secure login for bandlab.comOpens BandLab's own sign-in · expires in 10 minutes
  • Sent: ok I'm in
  • Before · Night Drive mixer
  • Received: Your vocal is thin, so Nova's rule applies: no top boost, warmth at 200 Hz. Then her Juice chain: vocal up 4 dB, high-pass at 90, her plate at 30%, the slap delay for the shine, ad-libs darker behind it. One picture after each 👇
  • Before → after · 5 changes
  • Sent: less reverb
  • Received: Plate back to 15%. Did it work? Yes or no. That's what Nova's Juice WRLD-style mix is ranked on.

Scroll to follow the conversation

An engineer making their branchNova's Juice WRLD-style vocal mix from a voice note, with A/B and yes-or-no questions

MixPilot

  • Sent: here's how I do a Juice WRLD style vocal mix
  • 🎤 Voice note · 11:40
  • Received: Here's what I got: “A Juice WRLD style vocal: bright, wet and melodic, sitting on top of the beat.” 6 steps: 1) clip gain first, never the compressor… 2 rules, 1 drill. Tools: the stock EQ, a plate and a slap delay. A few quick ones, one at a time. Skip any.
  • Received: A thin, nasal vocal comes in: A) boost 2–4 kHz for presence, or B) leave the top alone and add low mids? Why?
  • Sent: B. Boosting the top makes it harsh. I warm it around 200 and let the delay do the shine
  • Received: The ad-libs: A) the same chain as the lead, or B) darker and wider behind it? Why?
  • Sent: B, the lead has to be the brightest thing, like on Lucid Dreams
  • Received: Do you ever de-ess before the compressor? Yes or no.
  • Sent: No. After, always
  • Received: On a very fast song, can I shorten the slap delay? Yes or no.
  • Sent: Yes
  • Received: Saved, in your words: 2 rules, 1 never, 1 exception. I tested it on a sandbox project: every step runs in BandLab. Try it on one of your own songs, then say “make it public”.
  • Sent: make it public
  • Nova's Juice WRLD-style vocal mix · 6 steps · Tried by the creator ✓ · Tested ✓Text YES NV4K2A to mix with it · You keep 75% of what it earns

Scroll to follow the conversation

Illustrations of conversations with MixPilot in iMessage.

Why an engineer

A model can already mix competently. Taste is what you pay for.

Give a good agent a session and it will get your levels right, fix your masking, hit your loudness target. That part is solved, and it is getting cheaper every month.

It is also not what anyone is actually paying for.

Artists don't book an engineer because they want technically correct. They book them because of how their records sound: the specific saturation, the way the vocal sits, the moves they make that nobody else makes.

That taste has never been buyable at scale. Preset packs get close and then die the moment your material differs from the one song they were built on. MixPilot is the engineer's reasoning, executed: it adapts their method to the song in front of it, and the engineer keeps updating it.

How a style gets made

Interviewed, tested, then released.

  1. 01

    The interview

    By text or voice note. The engineer says how they actually work, and MixPilot asks the judgment calls as A or B questions and the standards as yes or no: a thin vocal versus a harsh one, what they'd never do, how they'd know it worked. Every answer is kept in their words.

  2. 02

    The test

    The engineer runs the result against their own catalogue. Not a demo: their real sessions, material the style has never seen. If it doesn't reproduce their sound, it goes back to the interview.

  3. 03

    The release

    It goes on their page with their credits and links, priced how they want. Subscribers get every update. They can keep revising it as their sound moves.

For engineers

Your process, earning while you sleep.

You already sell your time. This sells your taste, to people who were never going to book you anyway, without taking a single hour out of your week. Sign up with your number: text MixPilot how you mix, answer a few A or B questions, and your branch gets a link. Anyone who taps it gets your mix on their song.

Become an engineer

Sign up with your phone number. On your iPhone it opens Messages.

  • You keep 75%

    You set the price. Stripe sends your share the moment a subscriber pays. The agent's running costs come out of MixPilot's share, never yours.

  • Your page, your name

    Credits, socials, everything you do. Subscribers find you through it, and plenty of them will want the human instead.

  • Revise it whenever

    Describe what changed and the interview agent folds it in. Subscribers get the update; you get a changelog.

  • Your method stays yours

    Nobody can read the instructions: not subscribers, not other engineers. It runs on our servers and it is never handed out.

What it costs

Free until you pick an engineer.

No plan, no meter. Try MixPilot on your song for free. The only thing you ever pay for is an engineer's taste, and their price includes everything MixPilot does with it.

Trying it

No card

Free

Text it, name a BandLab project, and mix your first song: a picture after every change, before and after at the end, undo whenever.

An engineer's style

Priced by the engineer · includes MixPilot

from $5/mo

Subscribe to an engineer and MixPilot mixes the way they do: their moves, their thresholds, their rules, applied to your song. Every revision they make is included. Cancel whenever.

Full pricing

Talk to it. It mixes like them.

The taste of someone whose records you already know, on your song.